With the outbreak of the epidemic and the accelerated development of urbanization, people's environmental requirements are more perse and dynamic, and their cognition of work and office places is more flexible and free. Here, the complex function of space, the naturalness and "borderless" of office space, and whether to cover the public spirit and the core of social art have gradually become the new propositions of today's times.
Sharing the ecological nature of Xixi Wetland and rich soil of business science and technology, Yunlan Valley extracts the core that is close to nature under the packaging of the architectural interface. With "borderless penetration" as the theme of space design, nature, plants, wood, soil, stone and other elements are implanted into the interior of the building through "skin remodeling" and "vertical penetration" to innovate art installations and social atmosphere. The "lobby", "atrium" and other public Spaces are stitched together to create more "indoor scenery" and create a boundless "cloud valley" with "art, nature, life and work".
In the interior space of Yunlan Valley, we use natural light, ecology and technology to reshape the "inner skin" of the building.
In the form of a large-scale inward and three-dimensional garden, the project recreates the "diagonal extreme of Baesa" between the entrance lobby and the curtain wall and forms. The light and shadow entrance, bright and simple horizontal texture lines guide the space line of sight, and complete the guiding and indicative function.
The surrounding wall and the top and bottom surface continue the line morpheme through the overall interface, the wall seam connects the curtain wall, the laminate, the lighting height, and integrates the lighting and air conditioning into an equipment belt, forming a clean and continuous visual effect. Rich light and shadow changes and unified material modulus form a strong contrast, streamer and volume overlap, order and rhythm complement, so that the space is full of exploration interest.
We extend the language of the unified interface, and the concept of natural interest and artistic penetration of the overall atrium space is implemented into the architecture, form and plastic space volume, in order to "from the inside out" and "from the outside to the inside".
Just as more and more projects focus on creating the concept of "multiple surfaces", we use volume and square geometric structures to "vertically penetrate" the atrium space to expand the contact surface area between people and nature, extend the time spent in nature, and create a rich and pro-nature experience.
The relationship between man and nature has changed from "domestication of nature" to "collaboration with nature". We start from interior design and combine native plants to construct a highly visual office landscape.
The interior brings nature into the building through planning and design to create more "rooms with views".
By using the connection between the lobby, atrium and plants, the technological wood bark with the grain of annual rings and the seats with the appropriate earthy color are implanted. Through technological treatment, the metal texture of the large surface is displayed, and the rich texture of the stone on the wall and the granite on the ground is displayed. This arouses the perception of the office crowd on nature, alleviates the nervous tension of work, and immerse yourself in the sound and smell of nature.
What we want to build is not a fixed spatial structure or form, but to enable people to unconsciously strengthen their cognition of nature while immersed in work, so that life and work can achieve a deep integration.
Before realizing the public shared value, we set out to establish the attraction of the site, break the opposites between the inside and outside of the site, and focus on creating attractive interior Spaces that stimulate creativity and potential, promote interpersonal communication and interaction, and bring people back to the surface with a "public magnetic pole".
Like Le Corbusier's design in Stuttgart, the Lancer Valley has both a rigid exterior framework and a free interior use space.
In addition to 75 percent of the fixed interior space, the other 25 percent of the "X-space" will be fully flexible and take on the responsibility of promoting human interaction and interaction. In the atrium and corridor, a stay space of appropriate scale is created to meet the non-office discussion and temporary office scenes of different numbers of people. The "neighborhood" quality brings people together in the space, and the atrium becomes a "square", balancing the private and social attributes of the place.
At the same time, we also injected more detailed functional considerations into the design of "X space", leaving enough plants, counters, seats, lighting and power supplies for office people to stay. The handrail of the corridor is also set to the width of "can place a cup of coffee".
In the "useless" long space, the "box" with operational properties plays a role on the key contact points by means of plug-ins, enriching the indoor format and spatial attributes, and effectively improving people's willingness to stay in the space and happiness.
Here, people can occasionally escape the office state, drink a cup of coffee, look at the green plants, and overlook the world outside the window, which can not only improve work efficiency, but also enhance work pleasure, and create an efficient public space for relaxation, sharing, and interaction.
Project name: Xitou Green City · Hangzhou Yunlan Valley
Project Type: Business Office Park
Project owner :Greentown China/West Lake Investment
Owner Team: Ye Heng, Zhong Yan, Yu Bing, Li Wei, Chen Li, Feng Mengya, Lu Jun, Zheng Xiao
Project location: Hangzhou, Zhejiang
Design completed:2023.07
Gross built area: 15570㎡
Interior Design:ZSD
Chief Designer :Yuan Kuo
Indoor Team: Wang Weiwei, Zeng Bin, Fu Shen, Yang Shiyi, Lou Xiao, Dong Xuepeng, Li Chao
Project Photography: XF Photography