设计机构  BALANCE STUDIO平衡空间

项目地点  福建福州

项目面积  1100平方米

建成时间  2024年1月

本文文字由设计单位提供。

漫漫的日常中，我们现有生活的方式有很多既定的评判标准，有很多司空见惯的思维方式和处事的逻辑，这是漫长的社会演变的一个阶段性体现。而往往阶段性的周期变化，在大的时间维度下才能让人察觉：有时3年、有时30年、有时覆盖了人的一生。在大的时间维度下，无论对错，小波动的累积，往往也造成了变化。而这变化，周期性地推动社会向前滚动。

In the midst of a long daily routine，The way we live our lives has a lot of established criteria, and we have a lot of commonplace ways of thinking and doing things logically. This is a phase of a very long social evolution.And often the phases change in cycles, changes that are only perceptible in the larger dimension of time, sometimes 3 years, sometimes 30 years, sometimes covering a person's whole life. And right or wrong, in the larger time dimension, it may be a small fluctuation, but the accumulation of small fluctuations often results in a change that, cyclically, pushes society to roll forward.

很多事情难以捉摸，但是如果善于总结，不一定是时间的叠加，你会发现很多有意思的规律。而这些规律，也许不是指导你去怎么做，可能只是教你不怎么做，亦或是，让你淡然些，静观变化。

A lot of things are elusive, but if you are good at summarizing, not necessarily the superposition of time, you will find many interesting laws. And these laws, perhaps not to guide you to how to do, may just teach you not to do, or, so that you are more calm, quietly watching the changes.

01

住宅应该是有生命力的

会生长的

这是一个有爱的家，爸爸妈妈和两个孩子：弟弟喜欢研究各种东西，姐姐拉得一手自带光环的大提琴，妈妈L女士是个古琴古筝小能手，爸爸J先生是有很多复杂又简单工作和生活的多面手。

This is a loving home with two children, a younger brother who likes to study all kinds of things, an older sister who plays the cello with a halo of her own, a mother, Mrs. L, who is an expert in the guqin and guzheng, and a father, Mr. J, who is a multi-faceted person with many complex yet simple jobs and lives.

这个房子很大的一个起心动念，源于两个孩子的成长和陪伴。教育内卷已经不是什么新鲜话题，想明白并去执行的人少之又少。而J先生的通透和豁然跟自身经历和思考有关。因此身体力行的陪伴、交流方法、形成自驱力就是主题了，小孩和大人都有很多可能性：不设限、自然而然的发生、学会独立的评判标准。

One of the big ideas for this house is the growth and companionship of the two children. Education is no longer a new topic, but there are very few people who want to understand and implement it, and there are always all kinds of constraints. Mr. J's transparency and openness is related to his own experience and thinking.So physical accompaniment, exchange of methods, the formation of self-driven is the theme, children and adults have become a lot of possibilities, no limits, naturally occurring, and learn to independently judge the standard.

于是，我们希望场地是简单的。自由一点从建筑开始。

So we hope the venue to be simple. A little freedom starts from the architecture.

02

应对场地的建筑限制

加减法简洁化设计

二十年前的疯狂地产造就了很多新奇现象，就像这里直接模仿了一个欧洲小镇的样子。这栋建筑突然地出现在中国福州闽侯的一个山脚下。面对现状，我们梳理了一下立面关系，将破败的线条直接去掉、简化，然后用一些金属框套来限制一些视野，平衡建筑内外的关系。同时，我们将老旧的涂料简化翻新，用的是很传统的弹涂工艺，形成一种肌理，重塑整个建筑外观。

The crazy real estate created a lot of novel phenomena from twenty years ago, like this one which directly imitates the appearance of a European town.It suddenly appeared at the foot of a mountain in Minhou, Fuzhou, China. So we sorted out the relationship between the façade to face the current situation, the dilapidated lines are also directly removed, simplified, with some metal frames to limit the field of view, balancing the relationship between inside and outside the building. At the same time, the old paint was simplified and renovated. The traditional pop-up coating process was used to form a texture and reshape the entire building appearance.

空地是城市里宝贵的资源。我们对于花园的想象，不是传统的各种造景，更多的是放空的一片绿色草地，是孩子和狗狗的天地，是一个休憩的空间，也是回忆里小时候的老家。

Open space is a valuable resource in the city, and the imagination for the garden is not traditional landscaping, but more of a green meadow, a place for children and dogs, and a campfire next to the meadow, a resting space, and at the same time, a reminiscence of the old home when I was a child, and the cohesion of the elders.

03

建筑的外表情语言

立面的细部构造上，建筑师采用设计的一体化语言：简洁的框架线条勾勒出形体的轮廓，在建筑立面上形成线、块、面等语言。一个一个的框，就像房子的眼睛、手臂——观察、触摸。深灰色的金属框套形成块面关系、米白色外墙涂料给建筑增添了肌理感。不同线性分割形成的细部构造让建筑更加立体。

The detailed construction of the façade forms an integrated language of design, with simple frame lines outlining the contours of the form. The language of lines, blocks and surfaces is formed on the façade of the building. One by one, the frames are like the eyes and arms of the house---observing and touching. The dark gray metal frame sets form a block relationship, and the beige exterior paint adds a sense of texture to the building. The detailed construction formed by different linear divisions makes the building more three-dimensional.

04

开放的空间

自由的开始

梳理完方向，我们给这个建筑组织了一个使用方式：一种用感受就能体验空间意图的呈现。负一层和一层相对更具有公共性：面对社区，面对家族成员，面对好多朋友。不需要门禁，来去自由。而在去三楼的楼梯口，我们用核心筒的一部分形成一个门，采用软性的间隔来划分公共与私密的边界。核心筒串联起整个空间垂直交通的功能属性，透明电梯在其间穿梭。这种使用方式扩展了“家”的边界，使互动成为日常居住体验的一部分。自由平面也为场所带来活力。

After sorting out the direction, we organized a way of using this building.The negative floor and the first floor are relatively public, facing the community, facing the family members, facing a lot of friends. There's no need for access control, it's free to come and go. In the stairway to the third floor, we use a part of the core cylinder to form a door, a soft interval to delineate the boundary between public and private.The core connects the functional attributes of vertical transportation of the whole space, and the transparent elevator shuttles between them.Expanding the boundaries of “Home” and making interaction a part of the daily living experience, the free-form planes bring vitality to the place as a base from which to grow and look to the future.

用乐高的基础引伸，以色彩的最初状态为出发点，我们想要的是一种自由的开始：一楼区域被定义为开放的空间，在原始的结构框架下没有通过墙体来划分功能模块，而是放空平面，置入蓝盒子来串联起整个空间：下沉休闲区、音乐教室由此展开。盒子一端开口，冲破建筑并以此打开通往户外空间的端口，打开的洞口与核心筒的孔洞呼应。

Using the basis of Lego and the initial state of color as the starting point, what we want is a free start.The first floor area, defined as an open space, is not divided into functional modules by walls under the original structural framework, but the blue box is placed in the empty plane to link up the whole space, and the sunken recreation area and the music classroom are thus unfolded..The opening at one end of the box breaks through the building and opens a port to the outdoor space, and the opening echoes with the holes in the core.

05

蓝色盒子像置入的一块乐高

透过窗口，看见一幕幕生活舞台剧

在这里“盒子”本身就是一个功能载体，一个空间可根据需求同时被用于走、坐、躺等目的。人们可以探索这个空间独特的使用方式，这也是另一种体验。

Here the “box” itself is a functional carrier, a space that can be used for walking, sitting and lying at the same time according to the demand, exploring the unique way of

using this space is also another experience.

“BLUE EYES”代表着“眼睛”，我们选用了称之为“理想之蓝”的颜色。蓝色盒子空间连接着一层户外和二层室内，我们可以通过盒子内的孔洞进行不同场景的观察。盒子上方连接着二层的室内，墙上的传声筒装置是一种对话的象征，也为室内增添了不少的趣味性。从蓝盒子内向外望去是风景，我们期盼它看见的是纯粹的理想。

“BLUE EYES” stands for ‘eyes’ and the color chosen is called ‘ideal blue’. The space of the blue box connects the outdoor area on the first floor and the indoor area on the second floor, and it is possible to observe different scenes through the holes inside the box. Above the box connects the interior of the second floor, and the microphone device on the wall is a symbol of conversation and adds a lot of fun to the interior. Looking out from the blue box is a landscape, and we expect it to see pure ideals.

盒子之内宛如另一方天地，空间流动，人们可以透过洞口看到不同的空间场景。盒子串联起两层通高，同时作为二楼护栏，向东西两侧的公共空间流动。

Inside the box is like another world, the space flows and different scenes are seen through the hole. It connects the two floors and acts as a parapet on the second floor, flowing to the public spaces on the east and west sides.

地下室的下沉区域容纳了主要的公共空间，用于社交和阅读：客餐厅复合了水吧、餐桌、学习、工作、娱乐等多种使用场景，服务于下沉休闲区和影音室。餐厅操作台的长条开窗提供了外面花园的景色，为厨房增添了充足的自然光线，并与窗外的植物产生联系，把风景装裱了起来。

The sunken area in the basement accommodates the main public space for socializing-reading, and the guest dining room compounds a variety of use scenarios such as water bar, dining table, study, work, entertainment, etc., serving the sunken recreation area and the audio-visual room. A long casement window in the dining room operator's desk provides views of the garden outside and adds ample natural light to the kitchen, creating a connection with the plants outside the window and framing the landscape.

楼梯、核心筒以及不断变化的高差同时出现。我们利用高差，打造出一块下沉式的交流及休闲空间，使整体空间更加富有层次感，也能实现空间转换与功能区域之间的错落感。

The staircase, the core, and the ever-changing height difference appear different scenes at the same time using the design of the height difference to create a piece of sunken communication and leisure space, which makes the overall space more layered, and also realizes the sense of staggering between spatial transitions and functional areas.

06

音乐教室

随性、分享的空间

这里可以是L妈妈教学和分享的教室，也可以是朋友们来玩音乐的地方。空间嵌入的蓝盒子也为大家提供了一个独立的观众区，一种打破常规的交流方式。在这个公共空间里，人们的活动和行为没有受到局限，他们可以选择喜欢的方式来利用这个空间，大面积的落地窗与多个进出口则进一步加强了音乐教室与户外的联系。

This can be a classroom for L's mom to teach and share, or a place for friends to come and play music... Seeband practice has started...The blue box embedded in the space also provides another independent audience area, which breaks down the conventional way of communication. In this public space, people's activities and behaviors are not limited, and they can choose to use the space in any way they like. The large floor-to-ceiling windows and multiple entrances and exits further strengthen the connection between the music room and the outdoors.

07

车库咖啡

形成社区窗口

原来这里是一个停车库，我们将其改造成一个多功能的空间。车库咖啡与之前的创客咖啡相似，真的可以产生创意、甚至项目。我们把咖啡厅面向社区马路，这个社区里，有很多优秀的人们在这里生活，未来某时候他们之间可能就会产生一些碰撞，产生很多场景。

It turns out that this is really a parking garage, we transformed it into a multi-functional air division, the garage coffee is similar to the previous creators' coffee, it can really generate ideas and even projects. We face the cafe to the community road, this community, there are many university professors, and talent introduced to live here, sometime in the future may produce some collision, can produce a lot of scenes.

弟弟在这里研究各种新鲜的爱好。这段时间，他迷上了自行车，爸爸像以前一样，给他提供一些开放可能性。弟弟的学习能力也很在线，很快就把自行车的各种知识都掌握了，甚至环法自行车赛的历史都了解不少……

Xiao Yi is studying various new hobbies here, and this time, he is addicted to bicycles. His father, like before, provides him with some open possibilities, and Xiao Yi have excellent learning ability, and he learns all kinds of knowledge about bicycles very soon, even he knows quite a lot about the history of the Tour de France.

原始的混凝土裸柱与金属台面穿插产生了联系，形成了一个美观实用的操作平台。墙面洞洞板上可以放置各种配件工具，同时也是展示区，分享自己的珍藏和爱好。

The original bare columns of doubtful earth are interspersed with metal countertop to create a connection, forming an aesthetically pleasing and functional operating platform. The cavernous wall panels hold a variety of accessory tools and also serve as a display area to share one's treasures and hobbies.

吊顶采用了冲孔海洋板，温润的木色中和了混凝土和金属的冰冷，同时隐藏了空调的风口，使冷气能够自然地从孔隙中散发。

The ceiling is made of perforated marine boards, and the warm wood color neutralizes the coldness of concrete and metal, while hiding the air vents of the air conditioner so that cold air can naturally emanate from the holes.

08

分享教室

一起学习与成长

这里设定了很多空间功能，其实都是可以自由切换的：那时还有大部头书《论语》《圣经》等的学习，这时可能J爸爸就带着孩子探讨经济学基础，一会，J爸爸可能又沉浸在姐姐大提琴的音符里。

There are a lot of open-ended questions here, which can be switched freely. At that time, there were also large books to study, such as the Analects of Confucius and the Bible, etc. At that time, Father J might be discussing the basics of economics with his child, while a while later, Father J was immersed in the notes of his sister's cello.

09

空间形体

形成一副立体的画作

三层为私密的居家空间。我们选用暖白色基底涂料与木质为主用材料覆盖整个空间，自然地营造出舒适松弛的家居氛围。核心筒继续延伸上来，像一根脊柱。它是主角，串起框架，但又像是配角，在每个空间里，平静的存在、陪伴。

The third floor is a private living space. Warm white base coatings and wood-based materials are chosen to cover the entire space, naturally creating a comfortable and relaxing home atmosphere The core cylinder continues to extend up, like a spine, he is the protagonist, stringing up the framework, but also like a supporting role, in each space, calm presence and companionship.

在立面书墙的设计，我们采用红、黄、蓝三原色为点缀，加之以块面划分，形成不同线性的分割感。这似乎是蒙德里安，但不是要那么深的抽象高度。实际我们只是用了色彩的象征意义，基础而自由。

In the design of the façade book wall using red, yellow and blue primary colors as accents, coupled with block division. Forming a sense of different linear divisions. It seems to be Mondrian, but not to be that deep in the height of abstraction. In actuality just using the symbolism of color, basic and free!

10

温暖松弛的房间

安静自我的角落

房间整体基调简洁温馨。特别之处是：我们抬高了一个错层打开了一个横向长窗，与建筑外观的突出窗框，形成了一个特定视觉范围：不论做在地台上，或者躺在床上，人们都能得到了一个最佳观赏视口。

The overall tone of the room is simple and cozy. The special feature is that the elevation of a wrong floor opens a long horizontal window, which, together with the prominent window frame of the building's exterior, creates a specific visual range, so that no matter whether you are on the floor or lying on the bed, you get an optimal viewing angle.

远方的远山，就在眼前，宁静。

The distant mountains are just around the corner, serene.

11

场景穿插

形成不同区域的对话

在四层阁楼，我们重新组织了结构，形成了环绕核心筒的动线：楼板挖了个空，装了绳网，可以与三层对话，更多的是一种自由伸展与不同场景的穿插。

In the fourth floor attic, the structure has been reorganized to form a dynamic line around the core cylinder, the floor slab has been dug out and installed with a rope net, so that it can have a dialogue with the third floor, and it is more of a free stretching and interspersing of different scenes.

犹如心脏的红盒子在这层起了一个意向，有功能性，但更重要是表达了一种探索的寓意：触摸天空、触摸边界、探索可能性。

The red box, like a heart, has an intention on this floor, functional, but more importantly, it expresses a symbol of exploration, touching the sky, touching the boundary, exploring the possibilities.

红色盒子内部连接着一根黄色管道，人们顺着爬梯攀爬上去，看见是蔚蓝的天空。同时，它也借喻着一种期盼，一种向上的精神力量。但因为在施工过程中，屋顶并没有开孔挖洞，导致人们实际上并不能看到天空。作为一种精神寄托，楼梯依旧被保留下来。

inside the red box there is a yellow pipe connected to a ladder that climbs up to the azure sky.At the same time, it is also a metaphor for a kind of expectation, a kind of upward spiritual power, but because the roof was not opened and dug during the construction process, it is not possible to see the sky, but as a kind of spiritual support, the staircase is also still preserved.

原本这里建筑结构是一个高窗，只是一个储存的空间。但是我们想，这里也可以是一个独处的空间：可以阅读、可以发发呆看看天空……

Originally, the structure of this building was a high window, just a storage space, but we thought that this could be a space to be alone, to read, and to look up at the sky....

设计图纸  ▽

完整项目信息

项目名称：J PlUS

项目地点：福建福州

项目面积：1100平方米

设计机构：BALANCE STUDIO平衡空间

设计主持：董欣猛

设计团队：陈洁、池清、苏添财、陈英衍

文案主持：董欣猛

落地执行：郭美干

竣工时间：2024年1月

项目摄影：李迪

版权声明：本文由BALANCE STUDIO平衡空间授权发布。欢迎转发，禁止以有方编辑版本转载。
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