设计单位  陌至建筑设计事务所

项目地点  中国上海

完成时间  2022年1月

建筑面积  500平方米

本文文字由设计单位提供。

更新·变化

Updates and Changes

田子坊是上海一张独特的城市名片。内部建筑混杂了从十九世纪的水乡农舍到二十世纪二十年代的石库门里弄、二十世纪四五十年代的工房工厂，是典型的生产与生活交织混杂的老上海街区。作为早先的制杯厂车间的七号院，位于工厂与里弄片区的交界，连接了内部的两条小巷。

Tianzifang is a unique urban landmark in Shanghai. The internal architecture features a mix of structures ranging from 19th-century water town cottages to 1920s Shikumen lane houses, and workshops and factories from the 1940s and 50s, exemplifying the intertwining of production and daily life in old Shanghai neighbourhoods. No. 7 Courtyard, originally a cup manufacturing workshop, is located at the intersection of the factory and the lane area, connecting two small alleys within.

千禧年左右，艺术家们进驻这里，田子坊就此得名。艺术气息与迷宫般的复杂肌理相结合，吸引了八方游客前来探访。七号院的西北两翼也在这个时期进行了改造扩建，从原始的砖木结构转换为钢筋混结构的商业建筑。2020年，田子坊内约40%的店铺倒闭，营商环境萧条。我们也因此契机，有机会对七号院进行整体的立面与院落改造。

Around the turn of the millennium, artists began to settle in Tianzifang, giving it its name. The artistic atmosphere combined with its labyrinthine complexity attracted visitors from all directions. During this period, the northwest wings of No. 7 Courtyard underwent renovations and expansions, transforming from original brick-and-wood structures to reinforced concrete commercial buildings.By 2020, due to the pandemic, approximately 40% of the shops in Tianzifang had closed, leading to a decline in the business environment. This situation provided us with an opportunity to undertake a comprehensive renovation of No. 7 Courtyard's façade and courtyard.

树荫·空地

Shade and Open Space

七号院的中央耸立着一棵巨大的樟树，让这个院子在田子坊稠密的街巷中显得格外特别。然而随着过去店铺的高速流转，公共空间被各个租户不断划分侵占，树池被扩大，加上座椅，竖起围挡，院落被切割为小巷。奔走的游客无处落脚，落座的食客也难免局促。

At the centre of the No. 7 Courtyard stands a massive camphor tree, making this courtyard particularly special amid Tianzifang's dense streets. However, with the rapid turnover of shops in the past, various tenants continuously encroached upon public spaces; tree pits were expanded with added seating and barriers, effectively slicing the courtyard into narrow alleys where wandering tourists found no place to rest, and seated diners felt cramped.

院落的出入口位于对角线两端，转角处一栋两层的小楼自然地吸引了来自两个方向的目光。在过去的改造中，业主显然也注意到了这里，用大面积的涂鸦彰显着小楼的存在。但这样的状态也只能是作为一个背景展示板：室外楼梯过于陡峭，出于安全性的考虑日常被封闭了起来；二楼漏雨的小房间里堆满了被遗忘的杂物。

The entrances to the courtyard are located at opposite corners, and a two-story building at the corner naturally attracts attention from both directions. In previous renovations, the owners had clearly recognised this spot by showcasing large murals on the building; however, this state merely served as a backdrop: the outdoor stairs were too steep and were routinely closed for safety reasons, while forgotten clutter filled a small room on the second floor that leaked rainwater.

而当我们拾级而上，另一个静谧的田子坊映入眼帘——巨大的树冠触手可及，旧式的红瓦连绵起伏。我们感到这是一个可以被利用的空间，一个为院落增加更多活动的维度的空间。

When we climbed the stairs, another tranquil side of Tianzifang came into view—the enormous tree canopy was within reach, and old red tiles were undulated in waves. We felt that this was a space that could be utilised to add more dimensions for activities in the courtyard.

屋檐·扶手

Eaves and Handrails

我们对二层小楼老旧漏水的屋顶进行了改建，重新设计了一个不对称的形式：一侧抬高，让老厂房的红瓦坡顶成为室内空间的另一层界面，塑造一种亲密而怀旧的氛围；一侧压低到桌面的高度，获得一个向下的视角，与巷道中通过的人群形成交互。

We renovated the old leaking roof of the two-story building, redesigning it into an asymmetrical form that raised one side to allow the red-tiled sloped roof of the old factory to become another layer of interface for indoor space, creating an intimate and nostalgic atmosphere. The other side was lowered to table height, providing a downward perspective that interacted with passersby in the alley.

我们保留了一层原始的墙面，新屋顶的结构与其脱开，确保形式上的自由。我们希望这种独立性与轻盈感也展现在屋顶与墙垛的交接上。所以立柱的位置尽量避开了转角，模糊了结构柱和窗框的分别。

On the ground floor, we preserved the original walls while detaching the structure of the new roof to ensure formal freedom. We aimed for this independence and lightness to also be reflected at the junction between the roof and wall piers. Therefore, we positioned columns to avoid corners as much as possible, blurring the distinction between structural columns and window frames.

然而在建造中因不可抗力的介入，这个屋顶没能成形，我们最后将其改造为一个开放平台。立柱在扶手的高度被截断，加宽的扶手在立面上成为小楼的屋檐，也为停留的人提供了一个搭把手的小桌面。

However, due to unforeseen circumstances during construction, this roof could not take shape; we ultimately transformed it into an open platform. The columns were truncated at handrail height, and the widened handrail became an eave for the small building while also providing a small tabletop for those who lingered.

平台·天窗

Platform and Skylights

不断更新的店铺给田子坊留下了乱搭的管线和不通畅的排水槽，水在人们进入店铺时淅沥沥地流淌。于是，每个店铺会自行搭建雨棚，新的旧的叠加在一起，使得原本凌乱的立面更加复杂。

The continuously changing shops left behind tangled pipes and obstructed drainage systems in Tianzifang; water would drip as people entered stores. Each shop would thus install its own awning or signage—new ones overlaid on old ones—making for an increasingly chaotic façade.

我们首先拆除了这些杂乱的历史遗留物，整合所有管线，梳理排水系统，为店铺标识提供一个统一的展示界面。在砖木建筑一侧，我们设计了一个新的平台，集合了管线、排水、照明和座椅的功能。结构的落柱上呼应了原始铺地的几何图形和建筑立面的开口，为进入店铺和停留的人提供遮蔽。此外，平台也提供了从新高度观察田子坊的视角。

We began by removing these disorganised remnants of history, integrating all pipes, organising drainage systems, and providing a unified display interface for shop signage. A new platform was designed on one side of the brick-and-wood building that consolidated functions for piping drainage lighting and seating; structural columns echoed both original paving geometries and openings in building facades while providing shelter for those entering shops or lingering nearby. The platform also offered elevated views of Tianzifang.

为缓解扩展的平台对店铺室内采光的影响，我们在老建筑的屋顶也新增了一些天窗。这些天窗在白天为室内带来直接的自然光线，在夜间又借助室内照明在二层平台成为展示橱窗。

To mitigate the impact of extending platforms on indoor lighting for shops, we added several skylights to the old building's roof. These skylights brought direct natural light into interiors during the daytime while serving as display windows illuminated by indoor lighting at night on the second-floor platform.

红砖·墙裙

Red Bricks and Skirting Walls

七号院的铺地源自九十年代艺术家的改造。几条斜线打破了工厂车间规整的建筑肌理，同时也组织起了整个院落的排水系统。我们保留了这个铺地的图案，同时让红砖向墙裙延伸。

The paving in the No. 7 Courtyard originated from artist renovations in the 1990s. Several diagonal lines disrupted the orderly architectural texture of factory workshops while organising an entire drainage system for the courtyard. We preserved this paving pattern while allowing red bricks to extend towards skirting walls.

在较为狭窄、人群通行的一侧，红砖砌到了1.2米的高度，我们希望这样的建筑语言能与后续店铺的吧台设置相呼应。而在平台形成的檐下空间，加宽的红砖墙裙成为了靠墙的座椅。

On one side where foot traffic is denser, red bricks rise to a height of 1.2 meters; we hope this architectural language will resonate with subsequent bar setups in shops. Underneath the eaves created by platforms, widened red brick walls became seating against walls.

到了转角的小楼，红砖成为了楼梯的基座，加宽并改变了原本局促的单跑楼梯的方向。

At the corner small building, red bricks serve as a base for stairs that widen and change direction from what was originally a cramped single-run staircase.

室内·延伸

Indoors and Extensions

在完成整个院落的梳理后我们又设计了SUR餐厅的室内。我们想将较为狭小的室内扩展成为院落的一部分。在墙面的处理上，我们将外立面的瓷砖元素延续到室内，1.2米的标高整合了座椅靠背、吧台。在上半部分的墙体上，我们采用了渐变镜的元素，让原始的混凝土墙面逐渐消隐，空间在天花上得到无限延展。

After completing the overall organisation of the courtyard, we designed SUR restaurant's interior. We aimed to extend this relatively small interior space into part of the courtyard. In handling wall treatments, we continued elements from exterior tiles into interiors; at a height of 1.2 meters, we integrated backrests for seating and bar counters. On upper portions of walls, we incorporated gradient mirror elements that allowed original concrete wall surfaces to gradually fade away while providing an infinite extension upwards towards ceilings.

设计图纸  ▽

完整项目信息

项目名称：田子坊七号院改造

项目地址：上海市黄浦区泰康路248弄田子坊7号

项目完成年份：2022年1月

建筑面积：500平方米

建筑设计单位：陌至建筑设计事务所

网站：https://www.ateliermozh.com/

联络人姓名：森恵吾

联络邮箱：info@ateliermozh.com

公司所在地：上海市徐汇区淮海中路1284号201

主创建筑师：张婕，森恵吾

主创建筑师邮箱：kmori@ateliermozh.com

设计团队：张婕，森恵吾，梁宝垒，许多

委托方：私人

结构设计：上海建科建筑设计院有限公司

施工方：上海予物建筑装饰设计工程有限公司

摄影师：陌至建筑设计事务所，腾骐龙，Akihito Matsushita

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